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SH Garage: Gone To The Rallye

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SH Garage: Gone To The Rallye – Speedhunters



SH Garage: Gone To The Rallye

‘Not Great’ Planning Mode

The best part of an adventure is the planning, right? Yes, and no. The best part of the adventure to me is just saying ‘yes’ to things and doing it. Sometimes it all goes off without a hitch; other times you’re seeing the back of a recovery truck. But hey, it’s all part of it.

While many of the other Speedhunters are incredibly organised people (looking right at Paddy McGrath), I’m just a little… looser.

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Sure, to get to events, and especially a pretty strictly-scheduled rally, does take a degree of planning, but I can quite happily leave a lot of stuff to the very last minute, or even worse, to chance.

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My process is simple: I see an event; I spend about 15 minutes online checking out how feasible it is to get there; I get a hotel booked with free cancellation (and no prepayment for absolute minimum commitment); and then forget all about until it’s pretty much time to go.

Case in point: The 2021 Roger Albert Clark (RAC) Rally.

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It was the start of May when I decided that the RAC was a possibility, a full six months before the event. When did I book vital things like a ferry or even decide what car I’d drive for the week-long odyssey? I can hear Paddy wincing, but a whole three days before. Booked on Sunday afternoon, travel on Wednesday morning.

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Normally I’d have to decide which car to take, but my hand was forced this time after I sold my Hyundai i30N a few days before the event.

The Hyundai was an amazing car and I enjoyed every single one of the 21,000km we spent together, but I was paying a pretty sizeable chunk of cash every month for the privilege. While trying to simultaneously save for a house deposit, something had to give.

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Hyundai gone, attention turned to my somewhat neglected 106 Rallye.

The little Peugeot and I had been pretty distant for a few months. A busy work schedule meant it was nearly three months since I’d sat behind its wheel, but the time had not been wasted. It got a run to Rallye Omologato 2 in the hands of Maurice Malone, and then went in for some mechanical work. Owning an older performance car – with 103bhp I’m clinging to that title – requires continuous preventative maintenance, but little updates also make life easier.

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Jumping back in, it felt like we hadn’t been apart. My feet immediately reset to the incredibly offset pedal locations, the deft throw of gearshift no more than muscle memory, and the familiar urgency of the rev-happy lump upfront had turbo boost instantly expelled from my mind.

There was one issue though – the 106’s NCT (National Car Test) cert had lapsed.

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Being legal was somewhat important given I had a lot of driving ahead of me, but looking into online bookings, the wait time for this annual road worthiness test – similar to the UK’s MOT, Japan’s shaken or Germany’s TUV – was six weeks.

In an amazing twist of fate though, a cancellation appeared for Tuesday morning, a mere 14 hours before I was due to leave on a ferry. This was last minute to the extreme, but I had faith in the little Rallye. After a somewhat tense 40-minute outside the test centre, it emerged with a ‘thumbs up’ from the tester and a new cert sitting on the passenger seat. Happy days.

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Home from work and everything needed packed into the boot, the back seat and footwells of the little Peugeot, I had enough time for about four hours of rest, although that was mostly spent thinking about what I’d forgotten.

My alarm went off at 1:15am and I was on the road 15 minutes later, albeit with the 106’s engine running at a higher-than-normal idle.

From home to the ferry in Belfast took just over four hours, the only talking point being an incredibly thick blanket of fog for the first 90 minutes. Prior to crossing over into Northern Ireland was a chance to fill the Peugeot’s fuel tank and grab some pancakes for breakfast.

Dashboard dining at five in the morning isn’t all that flash, but it sure hit the spot.

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I arrived at the ferry terminal with plenty of time to spare, which isn’t something I do often. Blanket? Check. Netflix? Check. For a man who forgot to put a spare wheel in the car, I had my priorities in the right place.

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Driving onto a ferry is always a rather fun experience, and while I might not have all the ro-ro facts like Ben and Ryan did with their recent trip to Ireland for 86 Fest, I can tell you that Stena Line to Cairnryan do serve a very fine breakfast and have a very comfy lounge.

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I arrived in Scotland to weather that had turned. Rain and cold – for my first ever time in the country, it felt apt. I don’t think I’d have liked it any other way to be honest.

Thankfully, it was nicer a few days later when border-hopping again to grab that all-important ‘car in front of country sign’ photograph.

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The one thing I wasn’t expecting was the incredible filth spraying off the near constant line of HGVs as I made my two-hour trip east towards the English border and onto Carlisle. By the time I stopped for fuel outside Gretna, the poor 106 was properly blackened, but deep down I thought it just looked proper.

I’ve said it before, but the Rallye is a car that looks equally great whether it’s polished or filthy.

The real MVP on day one was my Sennheiser headphones and a stack of downloaded podcasts. Throughout the week, this pairing was called upon during long drives, although occasionally there was time for some period correct ‘dodgy’ music. Because as great as the diminutive Peugeot is, cruising alone at motorway speed (which equates to almost 5,000rpm) can get a bit wearisome, although the deceptively-comfortable seating position really helps.

I made it to the RAC scrutineering, took and few pictures and collected my media accreditation – so far, so good. After dropping my bags to the hotel, I grabbed a bit of lunch and the headed back to the rally base for some more snaps. Again, no problems.

It felt like nothing could go wrong. Until it did.

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Heading home, the Peugeot lost all battery power and ended up stranded in a dark lane. It didn’t take long to diagnose the problem – an empty space where the alternator belt should have been. Clearly it’d had enough and exited somewhere along the road.

It was the first night of my week-long adventure and my 106 was already on the back of a recovery truck. Thankfully, I’d signed up to the AA Breakdown service before leaving, so maybe I was prepared after all.

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The next morning, with a fresh battery from an absolute legend of a roadside tech named Rob – a fellow rally man – we got the 106 to a nearby parts supplier. £5.20 for a new belt, fitted right there outside the door by Rob, and I was good to go.

A little over an hour after the 106 came off the axle stand I was parked in a forest in Kielder.

Rally Mode

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Over the next few days, the routine went like this: Get back to the hotel, throw the rally map out on the bed and figure out where the entrance to any given special stage was. Once pinpointed, I’d throw it into the phone and save it, then memorise the first car due time and work from there. Adding time for travel and a need to get there early to avoid too much of a walk (I know how precious that sounds, but remember I’d be laden down with cameras and gear), I’d end up with a rough estimate of my wake-up time for the next morning. It always seemed to be 6:30am.

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Arriving earlier on a stage allowed me to take a walk around and get an idea of good shooting locations, and just enjoy the peace and quiet of a forest in the early morning sunshine ahead of a frantic day.

It was also a chance to get in and set up things like remote flashes ahead of the first competing cars.

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The Rallye also doubled as a mobile office for the week. Stage shot, I’d grab my laptop and download my images. This is handy to keep memory card space free on the cameras, but also to get a few images quickly edited for social media. Although, the second part was a rather fruitless exercise given I barely had any mobile reception out on the rally route.

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As the days past, I only grew fonder of my 106. Laden with soggy jackets and muddy boots, it climbed hill after gravelly hill through the woods to the stage-side car parks – generally openings on wider off-road tracks that were often icy. Most of the vehicles were vans and SUVs, but a few hardy souls followed the ‘not in its natural environment’ approach.

From that first night blip, the Peugeot never missed a beat. Even the high idle rectified itself quite early on, a sure sign that the 1,300cc 8V just needed driving.

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As you may know from my RAC story, weather-wise, Friday evening was downright terrifying. I tend to sit low and reasonably far from the wheel of a car, but on this occasion I was nearly bolt upright, seat slid forward with two rather white-knuckled hands gripping the steering wheel.

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Storm Arwen had struck, and having left the final stage of the day amidst a snow blizzard, I’ll never forget the drive back to Carlisle. Pitch black, the admittedly poor lights of the 106 were no match for the oncoming deluge of snow. Reduced to dipped beams and at times park lights, the road became an invisible labyrinth of standing water and was only defined by the white lines visible in places. Every few miles there was a tree or debris to swerve around, one hazard in particular appearing quite suddenly on the outside of a crested corner.

It took two gruelling hours to get back to the hotel when Google Maps had advised 53 minutes.

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Stages were cancelled the following day, providing an opportunity to do some unplanned exploring. I’d seen pictures of the Lake District and it looked like perfect 106 Rallye territory, so I grabbed a coffee and headed 90 minutes north.

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Cockermouth to Keswick via the Honister Pass is one of the most spectacular drives I’ve ever done, helped in part by a lack of traffic on this crisp winter afternoon. The fabled allure of the great British B-road was living up to its stature, and mile after mile the 106 sang to its heart’s content. Naturally though, I had to add some spice to the situation.

When I’d seen the Lake District in pictures, it was launch photos of the 2017 Ford Fiesta WRC on the Honister. What I hadn’t done was research, and didn’t know it was both extremely steep, reaching 1,167ft at a 1-in-4 gradient, and extremely prone to ice. So, yes, it was mega, except for the terrifying descent. If I had crashed, at least the scenery was nice.

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As the Roger Albert Clark rally headed south to Wales, so did I. This drive from Carlisle to Snowdonia was the second longest stint of the trip, but the 106 ate it up. Sure, it may be tiny amongst modern traffic and a wee bit unrefined, but it’s fun. There are no modern frills, but that allows a chance to think, to plan and to take in the sights of the road.

Making a quick fuel stop with 106 miles to go was most definitely not planned.

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One thing I’ve come to learn about the Rallye is that it’s a welcoming car. People pass compliment, take pictures and want to chat, in a way perhaps I wouldn’t have got with the Hyundai or something modern. During a stop to take photos on the way to Dyfnant, a group of off-roading Land Rovers pulled in, and within minutes we were all chatting and checking out each other’s vehicles.

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The last few days in Wales were flat out. There were early mornings, late evenings and plenty of miles in between, but ultimately, I knew there was a ferry leaving Fishgaurd at 1:00pm on Monday that I intended to be on. That gave me a pretty firm cut off of 10:00am leaving Walters Arena, yet here I was at 10.15am admiring my little Rallye. Welsh mud, rolling hills and a dirty Peugeot 106 isn’t everyone’s dream view, but it is mine.

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The drive to the ferry was frantic as expected, and I arrived with a whole six minutes to spare. Boarded and settled in the lounge, it felt great that the Rallye and I had made it to the end, even if another three hours lay ahead from Rosslare to home.

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When you ask what some of us are doing with our SH Garage cars, well, I’m mainly just driving mine. The Rallye is outside the window as I speak, and I now feel torn about whether to put it into winter storage or not. Over six days, across five countries and clocking up 2,450km (1,520mi), we both had an adventure of a lifetime.

Cian Donnellan
Instagram: Ciandon
Facebook: CianDonPhotography

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Editorial Director:
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Commercial Director: Ben Chandler
Creative Director: Mark Riccioni
Contributing Editor:
Dino Dalle Carbonare
Technical Editor: Ryan Stewart
Contributors: Will Beaumont, Keiron Berndt, Jordan Butters, Ron Celestine, Mario Christou, Cian Donnellan, Matthew Everingham, Chaydon Ford, Blake Jones, Stefan Kotze, Vladimir Ljadov, Paddy McGrath, Brandon Miller, Rick Muda, Yaheem Murph, Sara Ryan, Trevor Yale Ryan, Dave Thomas, Toby Thyer, Simon Woolley, Naveed Yousufzai



They Still Make ‘Em Like They Used To: The Classics Of Essen 2021

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They Still Make ‘Em Like They Used To: The Classics Of Essen 2021 – Speedhunters



They Still Make ‘Em Like They Used To: The Classics Of Essen 2021

It’s no secret that the Essen Motor Show contains a massive variety of classics on display each year. In fact, I’d go as far as to say it’s one of the main factors for many visitors.

Yes, in more recent years we’ve seen an increase in those wide-arched, slammed and stanced builds, but Essen caters for all enthusiasts – from motorsport and racing through to the latest OEM models and everything modified. It’s a format that works very well, and that was certainly true of the recent 2021 event.

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Spread across multiple halls at Messe Essen, there is a dedicated space for the bulk of the classics, but I’ll talk more about that shortly. Because in reality, these classics spill into the other halls as well – especially the motorsport displays. Classic racing is popular and it’s only getting bigger in Germany.

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I found myself drawn to the ‘Kampf der Zwerge’ (or ‘Battle of the Dwarfs’ in English) booth. The name is a bit of a handful, and I don’t think it’s very well known on an international stage, but it absolutely should be. What it boils down to is a racing series for sub-1,300cc cars from the ’60s and ’70s. When they hit the track, you will see a whole bunch of Mini Coopers, NSU TTs, Fiat 128s and other tiny classic cars fighting it out.

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Two of the standout cars for me were this blue Renault R8 Gordini and red NSU TT, the latter with a propped-open hood to cool its air-cooled engine out back. Both these cars look like a whole load of fun even when stationary.

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But if you prefer your classic racing a little more serious, this is where we meet the ‘Tourenwagen Legenden’ – touring car legends, unsurprisingly. That means old DTM and STW cars aplenty, and some of the most iconic models in European motorsport history.

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Various displays were scattered all over the show, but the main stand was situated in the classic hall comprising of a grid with all the cars set to compete in the series. This ranged from genuine STW and DTM cars to various replicas and cars built in the spirit of the touring cars of bygone eras.

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My personal favourite? Ironically, a car that isn’t really a touring car at all, but I’ll put that down to the fact I drive a transaxle Porsche myself. To see a track-prepped 924 in the Tourenwagen Legenden display was a proper treat.

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There’s just something oh so right about a 924 with a purposeful drop and sitting on wide, sticky slick tyres. Perfect.

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Continuing with the classic racers, it seemed this year shifted the spotlight onto several classic Fords. Two immaculate racing Capris to be precise – one of them a more rounded, early version from 1971, and the other a bonkers box-flared beast in 1974 spec.

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These are both absolute monsters that dominated race tracks all over Europe in the ’70s. Accompanying them was an equally immaculate Group 2 Escort.

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Racing classics aside, the main display of classics at Essen came in the form of road-going versions. Once you entered the classic hall, you were immediately greeted by shining chrome and gleaming paint.

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Most of these classics were for sale as well. This being Germany, the number of Porsches and Mercedes on display was insane – not that you could ever call that a bad thing.

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Here’s where my obsession with transaxle Porsches struck again, because on one of the dealer booths I found a genuine 944 Turbo Cup car for sale. I spent a significant amount of time here, just looking at the car and imagining what it must feel like to beat it around a racetrack.

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Another highlight for me was a dirty GC8 Subaru Impreza WRX which really stood out next to all the shiny, detailed cars. And the dirt is of course quite fitting for a car with such a rally heritage.

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Muscle cars are always present at any given event in Germany thanks to the huge Americana scene in this country.

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The two that stood out the most to me were a pair of C3 Corvettes – in red and green, respectively. I’m just a sucker for flip-up lights. I think I’d choose the green one.

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More exotic classics were not far away either. Obviously you’ll find some sports cars like Ferraris and Jaguar E-Types, but how about a Bizzarrini GT 5300 Strada? It’s offered for a cool 1.5m Euros (approximately US1.7m), if you’re wondering.

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Even some classic movie cars were on display – and for sale, for that matter. I had my fanboy moments first when I spotted the colourful Opel Manta from the German cult film Manta Manta. It’s one of the genuine cars from the movie, wearing a Mattig wide-body and Mattig Sportstahl wheels, and is even signed by the actors. The movie is a bit silly and a bit trashy, but it’s got a real following here in Germany and I grew up watching it probably a million times.

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Another movie car that hit me right in the fanboy zone was the Mad Max Interceptor. I think this was the first time that I’ve seen one of these in person, as the Ford Falcon was never sold in Europe.

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Outside their dedicated hall, I stumbled upon some more classics spread throughout the show.

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Three more gems could be found at the Mercedes-Benz booth – a replica of the Mercedes 300 SEL AMG 6.8 ‘Rote Sau’, and a very well preserved W202 C43 AMG – as a wagon, which just cements its understatement factor.

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How about those two in your garage – the C43 as your daily and the ‘Rote Sau’ for weekend fun, eh? The last of these three gems was the C140 S600 AMG Coupe fitted with a 7.2-liter V12. Only 10 of these were built.

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The Essen Motor Show is much more than just modified cars and racing – it manages to be inclusive for all kinds of petrol heads. And even if you favour a particular style or genre, you’re almost guaranteed to see something new and exciting here.

Numbers may have been down this year due to Covid restrictions, but the spirit of Essen is still very much alive and well.

Bastien Bochmann
Instagram: bastienbochmann
www.bastienbochmann.de

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Editorial Director:
Brad Lord
Commercial Director: Ben Chandler
Creative Director: Mark Riccioni
Contributing Editor:
Dino Dalle Carbonare
Technical Editor: Ryan Stewart
Contributors: Will Beaumont, Keiron Berndt, Jordan Butters, Ron Celestine, Mario Christou, Cian Donnellan, Matthew Everingham, Chaydon Ford, Blake Jones, Stefan Kotze, Vladimir Ljadov, Paddy McGrath, Brandon Miller, Rick Muda, Yaheem Murph, Sara Ryan, Trevor Yale Ryan, Dave Thomas, Toby Thyer, Simon Woolley, Naveed Yousufzai



Finding Balance In A K-Swapped EG Civic

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Finding Balance In A K-Swapped EG Civic – Speedhunters



Finding Balance In A K-Swapped EG Civic

“If a man does not have the sauce, then he is lost. But the same man can be lost in the sauce.” – Gucci Mane.

Well said, Gucci. For those of you unfamiliar with Gucci Mane, AKA ‘The East Atlanta Santa’, he’s a successful rapper with a penchant for face tattoos and red luxury cars on 24-inch ‘rimz’.

As women and men of the car scene, we are on a constant knife edge of scrutiny. No rare or expensive parts on your car? You’re lazy or half-arsed. One too many? You’re suddenly building your car for internet clout. Now, I’m not going to sit here and judge anyone for going all-out with a build; I wouldn’t dream of it. My favourite builds are often those with details that have been executed down to the minutiae. I’m also not going to look down upon those out there who can’t afford or justify spending dumb amounts of money on a pair of mirrors, for example. On a serious note, there are more important things in life than car parts, such as rent and food.

Now that my wise words of wisdom are out of the way, let’s delve into Pippa Brand’s 1993 Honda Civic DX.

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This is Pippa’s second car, but not her first Honda. Before the Civic came a mighty Honda Jazz; even before then, Hondas ran rife in Pip’s family. In fact, she can’t remember a time in her childhood when there wasn’t a Honda Shuttle in her parents’ driveway.

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The Civic had had a fairly typical life up until that point. It was purchased new by the same couple who owned it until their late years, at which point the husband sadly passed away leaving the little silver car in the care of his widow. She kept ahold of it for two more years until she also passed on, and the car was practically given away to one of their neighbours.

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In the custody of its next owner, the EG received its first ever modification. A Subaru Impreza exhaust back box was fitted in place of the OEM pea shooter, although what benefits that may have provided escape me. With 89hp, it was actually down one horsepower on the mighty Jazz that Pip was used to, but she was over the moon and immediately began to save her money to put towards modifying the EG.

Being an older car, there were bound to be wear and tear items due for replacement at which stage Pip would buy an ‘upgraded’ item to take its place. Perished bushes for example meant new neochrome-coated lower control arms, and tired shocks and springs were replaced with an uprated set from an EK4 Civic.

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Although they replaced tired original parts, Pip soon learned that you get what you pay for with some mods when the eBay lower control arms started squeaking unbearably over anything but the smoothest of roads. Genuine items were definitely on the agenda.

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Being young though, there had to be some visual mods before any serious mechanical work could be undertaken; it’s an unwritten of the car scene after all. The original steel wheels were replaced with a set of Honda Prelude fan-blades in black glitter, and a second-hand carbon fibre boot spoiler was also fitted. It even came pre-lacquer peeled for extra patina.

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On the subject of patina though, Pip’s Civic was looking a little worse for wear after a year of daily duties following seven years of sitting in a damp British garage. The paint was faded and flaking in places, and rust had started to make its way through the wheel arches. Even the ’90s-tastic pinstripes were beginning to lift way from the paintwork, so naturally when Pip got an incredible offer for all the bodywork repairs and paint to get sorted she jumped at the chance.

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As is the way though, if an offer seems to good to be true it usually is, and it didn’t take long for the extent of the bodge to reveal itself. The car was three different shades of silver, and the arches were so full of body filler they could probably have stopped a bullet. This was where things started to turn around for Pip, as this setback sparked her desire to level the car up into a serious little fighter.

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Parts acquisition was the next mission – specifically, all the items necessary to turn the Civic from a grocery-getter into the rowdy K-swapped weapon it is today.

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Suspension was first though, as the squeaky arms and old EK parts had to go. A set of BC Racing coilovers were fitted alongside K-Tuned lower control arms for a full squeak-delete. A BWR tie-brace keeps the rear end tight in addition to the centre cross-brace for torsional rigidity. At the front, braking is taken care of by a simple yet effective OEM+ set of 282mm MG ZR discs with Honda Prelude calipers. The rear drums were retained, but as the fronts take car of 70+% of braking, Pip decided they can wait. With the car now able to corner and stop properly, it was time for more power.

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The K20A2 was acquired from a breaker’s yard using Pip’s new boyfriend’s mum’s car, which I’m sure was not stressful in any way at all. At this point the car and the mass of parts were dropped off for the swap.

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The engine itself sits in a partially shaved bay in Jazz Purple, with plenty of bolt-on goodies for extra power and reliability. Inlet and exhaust breathing is enhanced by a Hybrid Racing air intake on an RBC inlet manifold, travelling through the combustion chamber to a K-Tuned tubular exhaust manifold. Follow this down and back and you’ll travel along the Skunk2 MegaFlow exhaust system to that awesome period-correct back box.

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Back in the engine bay, a Hybrid Racing injector rail provides sufficient fuelling, whilst a Tegiwa full-sized radiator keeps things cool under load. It’s a great looking bay, with a turquoise-painted cam cover for a bit of extra colour. Even the dipstick is a K-Tuned item for a little dress up, and the Hasport engine mounts are two great looking pieces of billet.

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The K20A is electronically plumbed in by a quick release loom made by the very man who fitted the engine himself: Josh Slater at JB Slater garage. The engine map was taken care of by Jesse Halford at TDI South, meaning this pocket rocket is running 247hp now. That’s nearly three times the car’s factory output.

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Driver feel and aesthetics were taken care of together, so starting from the inside the most prominent feature is the billet K-Tuned tower shifter for a more precise and positive gear throw. By this point the original shift action must have felt like stirring a ladle through a pot of soup. A Personal suede steering wheel with an NRG boss give Pip proper steering feel and control when driving the car hard, while Recaro Confetti seats and TAKATA Racing harnesses keep her pinned through fast corners.

The harnesses mount securely to the chrome Tegiwa harness bar, whilst the rear seats have made way for the Tegiwa cross brace between the rear suspension towers. Pip’s currently doing a full strip-down of the rear end to tidy it up. Just to keep an eye on the bigger cars this Civic keeps behind it, Pip has a full-width NASCAR mirror in the cabin.

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Externally, the EG is a mix of trusty and unique parts for a simple yet effective visual package. The white Kosei K1 wheels were a straight swap for the glittery black Honda wheels, and they’re shod in UniRoyal Rainsport tyres.

Some of you may have just recoiled in horror at the prospect of a hot hatch not on semi-slicks, but bear with me. The weather in the UK is so dismal and wet that a set of Rainsports in the right hands will out-corner a much faster car on a set of race tyres, so these make perfect sense.

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The paintwork itself was one of the last things to be done to the Civic. It’s in a shade of “I think it’s Daewoo Matiz lilac,” says Pip, but I cannot find anything online to confirm that. Denji headlights add a touch of aggression to the nose of the car, alongside the front lip which had unfortunately become a casualty of some full sends the week prior to our shoot. At the rear, the carbon fibre ducktail spoiler is a stand-out feature, whilst the clear taillights add to the overall playfulness of the little car.

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The windshield scuttle panel is the most interesting though. Pip bought a carbon fibre item from Eastern Europe which the manufacturer assured was for RHD cars. The manufacturer was wrong. What they did offer though was for Pip to send them her OEM scuttle as a test-bed for a right-hand drive item, and sure enough, a few weeks later she received a shiny, new, one-off RHD carbon fibre item.

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It’s the mix of touches like this alongside more reasonable items like the carbon-look NRG door mirror that appeals to me. Yes, you can go broke on a set of rims or a crazy big brake kit all round the car – and many people do – but by sticking to her guns and slowly yet surely upgrading the EG where it counts, Pip has built a devastatingly effective little fighter of a car. Taking neither herself nor the car too seriously has meant that this Civic is fun and full of character, and I would take this over a chequebook or heavily financed build any day of the week.

Long live the little lilac lightweight, and the vibe this car represents.

Mario Christou
Instagram: mcwpn

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Contributors: Will Beaumont, Keiron Berndt, Jordan Butters, Ron Celestine, Mario Christou, Cian Donnellan, Matthew Everingham, Chaydon Ford, Blake Jones, Stefan Kotze, Vladimir Ljadov, Paddy McGrath, Brandon Miller, Rick Muda, Yaheem Murph, Sara Ryan, Trevor Yale Ryan, Dave Thomas, Toby Thyer, Simon Woolley, Naveed Yousufzai



The Slantnose Nissan 935Z

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The Slantnose Nissan 935Z – Speedhunters



The Slantnose Nissan 935Z

Let me start by putting things into perspective: Takashi Koike never intended to execute a Porsche 935 replica with his Z33 Nissan Fairlady Z. He simply wanted to pay homage to a car that he has huge respect for, and in the process build a Z like no one had ever seen before.

One look at Takashi’s Nissan, and I think you’ll agree that he has pretty much nailed the brief.

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View the Z from the rear and you’d not even know that the front end has received such a drastic conversion.

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In fact, the nose tuck is so smoothly integrated that you may not even spot the difference from a profile view.

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I call it a ‘nose tuck’ because this goes so far beyond bolting on aftermarket aero parts – it’s a true transformation that Takashi executed himself. Of course, it helps that he works in a bodyshop and is a seasoned pro when it comes to these sorts of custom modifications.

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Deleting headlights is no simple feat, especially when they extend into the bumper and fenders like the OEM items on a Z33 do. To remove them altogether, substantial work needed to be done around the hood line and where the bumper meets the front fenders. The integration of the large round HID projector lights and LED DRLs was actually the easy part, as they sit beautifully recessed in the custom mounts that Takashi created.

As these build images that Takashi shared with me show, everything was shaped hand. Much care was taken refining the radius for the bumper snout, the new hood line and both the front and rear wheel arches. You can see just how far back the conversion stretches too. In fact, it’s just the doors, roof and rear deck lid that remain stock.

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The fenders were cut and molded into the overall new shape of the car, taking that added width and bringing it around and over the arches, right down into the side skirts.

At the time of our shoot, Takashi was running on aftermarket coilovers and a set of 19-inch Work Gnosis GS-1s. Behind the squared-off spokes of the front wheels hide Central 20 6-pot brake calipers biting down on 2-piece slotted Project µ rotors.

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The modified side steps brings a nice angular feel across the profile of the car, something that helps counteract the fact that the Z33’s rear is rather bulbous. They meet the massively widened 3/4 fenders which taper inward to almost meet the original width of the rear bumper.

Takashi finished it all off with an integrated lower bumper skirt, large diffuser section and a Battle Aero wing with tall stays that sprout from behind the bumper.

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On the back glass, Takashi proudly displays the Raiden logo, a club he belongs to with all his friends.

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There is something just so imposing about a slantnose car. The Kremer Racing 935s of the early 1980s took a base 911 and lobbed off the car’s signature bug-eye headlights for that flat-nose look. The main projectors were moved to the corners of the bumper and with that a legendary transformation was born, one that Porsche ended up offering in 1986 with the pricey Flachbau (flatnose/slantnose) option for the 930.

I think Takashi’s headlight conversion has a Garage TBK feel about it, you know, like the 930 from Wangan Midnight.

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The hood modifications also include a pair of dummy louvers and a functional center air outlet.

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A lot of thought went into the color – a custom-mixed blue/gray – and the contrasting black detailing, and I think it works well.

Takashi has stuck to very minimal upgrades under the hood with an HKS induction kit to give the VQ35 V6 some character on the induction side. The exhaust has also been enhanced with a full Fujitsubo system and the ECU was re-flashed with a custom map.

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Takashi may look at some substantial engine mods in the future, but for now he’s enjoying having completed the exterior styling.

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With the car oozing 935 vibes, it only seemed right to somehow try and tie the interior in too. Takashi found these Sparco Martini Racing sports seats that hint back at the legendary livery the Kremer-built 935s are most associated with.

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It’s always a true pleasure to meet talented young builders. Without guys like Takashi and his Raiden team, the Japan car scene wouldn’t be what it is.

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It was so cool that they all made the trek from Nagoya to Tokyo to meet me for this shoot, and I can’t wait to share with you what the rest of the Raiden crew brought along.

Dino Dalle Carbonare
Instagram: dino_dalle_carbonare
dino@speedhunters.com

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Burn Your Rulebook: Meet The Half11

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Burn Your Rulebook: Meet The Half11 – Speedhunters



Burn Your Rulebook: Meet The Half11

Given our track record, it’s probably a little hard to believe that Keiron and I don’t intentionally seek out projects that provoke knee-jerk reactions. However, I promise you there is no ‘trigger’ pay packet bonus here at Speedhunters. If there was, both of our projects would probably be further along.

While I’m being honest, as much I’m becoming accustom to expecting the unexpected with Keiron’s photoshoots, his curve balls seem to be getting wilder with each pitch. Seeing an eyeless Porsche staring back at me from within this photoset, ‘Here we go again…’ was about all I could say before getting down to business.

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Considering the photos breaking up these paragraphs, I’ll grant you skepticism regarding our unintentional, yet continuous sparking of powder kegs. Kyle’s Mustang, Live To Offend’s E30 and Mike’s K-powered Ferrari – these are all builds that have veered from paths previously considered acceptable.

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The appropriately-named ‘Half11′ is no less of a departure from roads well-travelled. A Porsche 911 carved up more than a festive Turkey might seem like sacrilege for social media’s sake, but this car is actually a homage to motorsport of the 1960s and ’70s – an era its designers view as one of the most romantic.

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To better explain how and why this car is a homage rather than a desecration, I first need to better introduce the parties involved.

Oil-Filled Pens

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Oil Stain Lab is the creative umbrella under which twin brothers Iliya and Nikita Bridan operate. The Ukrainian-born, Canadian-raised and Italian-educated siblings have found home in California. Neither brother grew up with a wrench in their hand, a point worth noting before proceeding with this article. The Half11 project is as much a design experiment as it is a real-world vehicle.

“We (mostly) drew cars and dinosaurs as kids… it’s much easier to design cars as profession than it is dinosaurs,” Nikita explained, before quickly adding “unless you work for a film studio”.

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After formal education, both Iliya and Nikita went through several rounds of on-the-job training. Individually, they have built names for themselves by being incredibly methodical with their design approach. Typically working for companies with at least a tangential connection to cars, they are as capable designing quarter panels as they are advertising panels.

In a designer’s 9-5 (rarely does such a thing exist) they are challenged to deliver clients’ needs, even when those needs are radically unclear.

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Client work has made Iliya and Nikita’s skin incredibly thick when it comes to criticism. So, comparatively any negative feedback the Half11 has received online has simply been regarded as par for the course.

Both are thankful that their day jobs keep them very busy. The fruits of their labor have also allowed them the resources necessary to play with cars in their limited ‘down’ time.

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That time between client emails and personal commitments is where Oil Stain Lab was born. It has always existed to be an escape, and as a result there’s never been a reason to compromise or play things safe.

Therefore, a 911 with an F1 car shoved up its rear end seems like a perfectly reasonable idea.

Crass aside, before we get to the nuts and bolts, I feel it worthwhile to mention again that this is a fun project for the Bridan brothers.

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Their tongue and cheek approach to the build as a whole is evident via the IKEA-themed ad above. Could you imagine an IKEA-produced car? Hopefully they’d add a bit more length to those damn Allen wrenches.

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Oil Stain Lab has extended their imagination to a robust ‘alternate history’ of the Half11’s conception too.

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“The ‘alternate history’ images have actually upset people the most,” Nikita explained. Simply put, some self-proclaimed Porsche ‘experts’ have become wildly upset to learn this car never raced historically, nor was it ever experimented with in secret, despite images that suggest it may have.

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I have not waded through all the comments on Oil Stain Lab’s social media accounts, but one can only imagine the confusion among Porsche enthusiasts when they realize they’ve been subject to a deep fake. It’s one of the more clever ways I’ve seen a company build project buzz in some time.

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For the Bridans, rooting their project in the aesthetic of the 1960s and 1970s has really helped ground it. “Racing in the ’60s and ’70s was the peak era for many enthusiasts,” said Nikita as he described his passion for motorsport designs of that time period.

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As someone that’s never been much more than a casual motorsports fan, I must agree with Nikita’s assessment. That era is particularly enticing simply because it’s so stripped down. The raw pursuit of speed and comparatively rudimentary understanding of vehicle design and aerodynamics led to some of the most creative and celebrated vehicles in motorsport history. Adding to that, these cars were piloted by true gladiators with unique personalities.

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From a purely fandom perspective, it then makes perfect sense that a model of a Tyrrell P34 wheel sits in the studio.

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It also makes sense that a six-wheeled version of the Half11 also exists within Oil Stain Lab’s alternate timeline.

That’s Cool, But Is The Half11?

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The Half11 is the progression of what the Bridans call a small collection of hot-rodded 911s. Having done your typical purist – and a few non-purist – modifications, they wanted to make a drastic departure from ‘standard Porsche’.

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A car that simply looked different wouldn’t be enough, however. It had to be uniquely engineered as well.

Naturally, the project was approached in a way that mirrored Iliya and Nikita’s professional endeavors. With design language rapidly developing thanks to their alternate history, sketches hit the table at a fever pace. During this process, the brothers occupied both ends of the boardroom table, as the clients and also as the agency.

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When I asked if the pair learned to fabricate as part of the Half11 process, Nikita explained that despite having an extensive interest in automobiles, their hands-on experience started rather late. “I didn’t learn to drive stick until 25, and hadn’t done an oil change until about then either. So no, we didn’t do the heavy fabrication.”

Joe Scarbo from Scarbo Performance took the brothers’ original drawings and turned them into functional designs using SolidWorks software. From there, Joe got to work creating the chassis in DOM tubing and the suspension components in heat-treated 4130 chromoly.

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Joe is one of a handful of wonderfully talented people that have been roped into this car’s construction. During the design process, he ensured the chassis would work as people would both expect and demand it to. In particular, keeping the car to the overall height the design called for has proven quite the challenge. As a point of reference, the dash has been lowered roughly 2.25-inches from where it originally sat in the 911.

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The goal all said and done, is a vehicle that is about the height of a Ford GT40. In person, the Half11 has a huge presence, despite actually being rather small.

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Driveline angles become problematic the more you squish a car and Joe spent considerable time in this area making it all work.

A lot of care went into reworking and redeveloping ideas without changing the overall aesthetic. Today, the engine sits as low as it physically can while retaining drivability.

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On the topic of engines, yes, that is indeed a Chevrolet JMS Racing LS-based V8 mated to a GT2 996 gearbox. Is a pushrod V8 the most creative power plant? Perhaps not, but with so many irons on the fire, shoehorning in a German-built V8 or a turbo air-cooled motor is something that can come later.

The de-stroked V8, complete with ITBs and a wild exhaust, should still sound pretty exotic from deep within the back of this car.

‘Inspired By’

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Joining Joe in the hands-on department is metal fabricator Jake Krotje. Jake, or ‘The Flying Dutchman’ as he’s often known, is the metal madman that constructed the ‘911’ out of aluminum. This project did start with a VIN-equipped chassis (this will aid in street registration later), but very little of that core remains today.

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Similar to Singer creations and builds of similar nature, this Half11 can be viewed as a re-imagination.

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It’s a small wrinkle the brothers have to consider when marketing the project, as they do plan on producing them as a boutique vehicle. With a company motto that reads ‘We Live For Creating Dreams’ it only makes sense they start with their own.

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But, let’s not put carts before horses here – there is still a huge amount of work to be done before the Half11 is ready to be manufactured beyond this prototype.

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Much of what you see in the various renders has become reality using modern production methods. The very intricate exhaust for example has been printed with Inconel powder – cutting-edge tech for a vehicle with its roots in the past.

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Since these photos, the Half11 was taken to Riley Stair, another individual whose name is closely associated with a number of outlandish builds. Riley handled the final wiring and plumbing of the car.

What’s Next?

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At this point, the natural question would be what’s next for the project? This is where things get interesting. The car pictured will always belong to the Bridan brothers. It’s a test mule, so it will continue to exist in somewhat of a fluid state.

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Will the production cars, if produced, have the same dampers, wheels and hand-cut slicks? Maybe, maybe not.

The same question can be asked of the engine. Switching to a more exotic powerplant – which is something many have called for – would suit the wild nature of the design, but would also require reworking the back half of the chassis.

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At that point, if things are to be extended, then perhaps the wheel diameter would need to be upsized to handle the new elongated footprint. This plays with the visuals of the final result, so it’s currently low on the list of items to be addressed.

The future is uncertain for most things, and most definitely the Half11.

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By the time you read this, the car will have completed its very first track day at Buttonwillow Raceway Park. Provided all went well and the Half11 doesn’t come back down to the studs, we hope to catch up with it again in the future for an in-depth feature.

Until then, enjoy the madness in the gallery below and follow the build on Oil Stain Lab’s Instagram.

Dave Thomas 
Instagram: stanceiseverythingcom

Photos by Keiron Berndt
Instagram: keiron_berndt

Cutting Room Floor

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8 Of The Best From Essen 2021

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8 Of The Best From Essen 2021 – Speedhunters



8 Of The Best From Essen 2021

At any given event, you’ll always find a select few cars that stick in your mind long after you leave. The 2021 Essen Motor Show was no different.

With the overall level of cars so high this year, my job of finding a couple to spotlight wasn’t exactly made hard. But then comes the opposite problem – which one do you chose? The answer? All of them.

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Let’s start this spotlight with a focus on a bunch of cars – namely, these from Levella.

If you don’t know Levella, they’re a German tuner that started out modding high-end sports cars but nowadays mainly focuses on modern-ish classics from the ’80s and ’90s, often referred to as ‘youngtimers’. Levella showcases a lot of their work on YouTube and have made a decent name for themselves both in Germany and Europe. This was the first time I was able to see these cars in person, and boy do they deliver. They also have their own wheel line-up and each of the cars here wore them like diamond jewellery.

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This Mercedes-Benz E-Class W124 sported Levella’s Retro R2 wheels on one side and their Retro R4 wheels on the other, and they fill up the arches nicely when the car’s aired out. Speaking of the arches, they’ve been cut out and rebuilt, so while they appear stock, they are actually a lot wider. The metal work was carried out by Andy Megerle, who also runs a YouTube channel to showcase his talents.

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This W124 is definitely not all show. It started out as a E400, but the original V8 was removed and replaced with a 6-liter unit from an E60 AMG.

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This BMW E34 5-Series received similar treatment – air suspension, new and bigger wheel arches by Andy Megerle, and Levella Retro R1 and R5 wheels on each side. Engine-wise, it’s packing a turbo BMW M50.

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The Mercedes-Benz SL320 is a bit more tame: air, some fender work – not quite as extensive as the previous two cars – and just a stock engine. But it still looks absolutely brilliant.

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Next up, we have a turbocharged monster: the L8-Night Motorsport Audi RS3 LMS. Producing 1,300hp at 2.5bar of boost from a heavily modified R32 engine in a full carbon body, this thing is nuts. All-wheel drive and a DSG transmission help put the power to the wheels. It’s been clocked at 321km/h on the half mile, and that was at a slightly lower boost level.

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Staying with wide Audis, next up this 80 Coupe featuring a Prior Design bodykit. The car was built by JP Performance, but I have to say I wasn’t all that convinced when I saw it on their YouTube channel a while back.

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But seeing it in person, boy is it something else. It takes the classic and elegant lines of the Audi Coupe and transforms it into something that looks like a worthy descendant from the mighty Ur-Quattro. A natural evolution, you might say.

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Here’s a blast from the past – a VW Corrado G60 proudly wearing a Rieger GTO bodykit.

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This kit was all the rage in the early ’90s, and here we have it with a modern twist. That comes in the form of air suspension and some 18-inch BBS RS wheels with low-profile tyres instead of classic 15-inch RSs wrapped in huge rubber balloons like they did it back in the day.

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Next up, we have something that I know will cause a bit of controversy simply due to the camber. I for one can appreciate it, and was pretty stoked to see a Miata with a style you’d more expect to find at some shakotan meeting in Japan than sitting smack in the middle of Germany’s premier tuning show.

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The pastel pink is enough on its own to grab attention, but coupled with the bodykit, the crazy camber, the huge dish on the wheels and the unmissable exhaust, I think people will either absolutely love this thing or absolutely hate it. The wheels are a touch of European classic, though, as they are vintage Tramont TY2s, if I’m not mistaken.

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Let’s finish with what has to be my personal favourite of the show. I’ve always been a sucker for classy sedans and have often imagined doing something cool with an older Jaguar. This gleaming wine red XJ40 looked like it drove right out of my dreams.

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Obviously bagged on some absolutely beautiful BBS RS (I mean, name a car these wheels don’t look good on, I challenge you…) it was the perfect combination of class act and modified. Just look at it. If I could’ve taken home any car from the show, this would be it – no question.

Stayed tuned for one final look at the 2021 Essen Motor Show.

Bastien Bochmann
Instagram: bastienbochmann
www.bastienbochmann.de

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Contributors: Will Beaumont, Keiron Berndt, Jordan Butters, Ron Celestine, Mario Christou, Cian Donnellan, Matthew Everingham, Chaydon Ford, Blake Jones, Stefan Kotze, Vladimir Ljadov, Paddy McGrath, Brandon Miller, Rick Muda, Yaheem Murph, Sara Ryan, Trevor Yale Ryan, Dave Thomas, Toby Thyer, Simon Woolley, Naveed Yousufzai


Aston Martin Nails The SUV

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Aston Martin Nails The SUV – Speedhunters



Aston Martin Nails The SUV

It’s time for another instalment in my slightly unconventional series of luxury SUV drive stories, and following on from my recent Rolls-Royce Cullinan feature we have another submission from the UK.

This time, however, there is definitely a bit more ‘sport’ in it all. A mix of class and performance that Aston Martin does very well.

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To me, Aston Martin has always been amongst the best at mixing an upper-class feel with just the right amount of power, but when the automaker announced it was launching an SUV, there was only one thought that came to mind…

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‘Here we go again… a sports car manufacturer selling out and trying to win over a slice of the lucrative ‘truck’ market.’ Porsche, Lamborghini and Maserati have all done it, and so to will Ferrari and Lotus soon. But really, what’s the harm? Is it wrong?

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Initially, I was a little horrified at the prospect, however, if like Porsche with the Cayenne, Aston Martin’s SUV ends up being so profitable that the company can continue to develop proper sports cars well into the future, well, how could you possibly be against it?

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Then I saw the DBX and my whole outlook changed – and not for the worse. It looked sensational in pictures.

For the first time, I remember thinking here’s an SUV that actually has all the right proportions. Most SUVs have a slightly awkward look about them, but the Aston Martin DBX does not.

Setting The Stage

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This said, I was rather excited when offered an opportunity to drive one for a weekend. And the DBX looked even better in person with its glossy black exterior and gigantic 22-inch wheels. It was truly menacing.

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Exterior design isn’t the only thing that Aston Martin has got so right with the DBX. The way they’ve appointed the interior – which follows recent updates throughout the entire Aston Martin model range – ensured the DBX hit the market with all the features and gadgets you can think of. And given that this thing is priced at the equivalent of US$200K here in Japan, you’d absolutely want it to be fully loaded.

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While it ticks all the spec boxes, the DBX looks and feels like no other SUV out there. That’s not something easily achieved in this segment.

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I had the DBX parked up for 20 minutes or so on Ginza’s main road while I shot these images, and the number of positive comments I overheard from passersby was quite telling. In Tokyo, reactions like kakkoi (read: cool) are not easy to get, and especially so in upmarket Ginza where exotic and luxury cars aren’t really anything out of the ordinary.

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What seals the deal for me is the engine mounted up front – a 545hp ‘hot-vee’ twin-turbo 4.0L V8. We all know that Aston Martin gets its engines from Mercedes-AMG these days, but like in the Vantage that I drove last year, this adds to the experience rather than taking anything away from it. Simply, this is one of the best force-fed production V8s around.

Stick the drive mode into ‘Sport’ and you have an SUV with the soundtrack of an AMG GT that effortlessly machine-guns through its nine gears with immense acceleration from any speed. Despite the DBX’s 2.3-ton heft, it will go from zero to 62mph (100km/h) in 4.5 seconds. Drive it peacefully, and that V8 rumble subsides to a relaxing low-frequency burble.

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Underneath its well-executed proportions, the DBX is built on a bespoke platform that like other Aston Martins is constructed with bonded aluminum panels and extrusions. It’s impressively stiff and remarkably throwable around corners given its heft, and thanks to a 48v anti-roll bar system and active dampers, it stays flat through corners at speed. Like all vehicles of this type, the DBX is equipped with air springs, allowing it to sit at different ride heights depending on which of its five drive modes are selected.

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Like the engine and transmission, the infotainment system comes from Mercedes-Benz too. It’s not a bad thing – something I touched on in the Vantage post – as I’d rather see lower-volume manufacturers like Aston Martin go this route rather than attempting to build their own systems and completely messing it up. It makes total financial sense too, as modern systems are complex and ever-evolving. What’s in the DBX might be one generation behind the current Mercedes system, but it’s better than an antiquated unit that’s glitchy and frustrating to use.

Beauty On Its Side

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If you’re in a position to purchase a high-end SUV, you will be looking for something that checks every box. The DBX would surely come close to doing that.

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Such is the pace of innovation and engineering today, you can turn a vehicle that shouldn’t really perform at this sort of level into a package that does.

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In fact, that might be the very definition of these vehicles. They’re able to be this good thanks to the decades of development that have gone into camouflaging the fact they’re far too big and heavy to actually be sporty.

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The Aston Martin DBX’s party trick is its beautifully proportioned and unique exterior.

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It might not be for everyone in the market for this type of vehicle, but it would probably be the perfect choice if you want something that stands out in the sea of high-end SUVs. The fact that the DBX as of this month is already outselling every other model in the Aston Martin line-up speaks volumes about how right they got the concept.

Stay tuned for my next SUV drive, whatever it may be. Any requests?

Dino Dalle Carbonare
Instagram: dino_dalle_carbonare
dino@speedhunters.com

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5 Days On The RAC Rally

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5 Days On The RAC Rally – Speedhunters



5 Days On The RAC Rally

Intro

As the snow blizzard grew even more intense, I stood nestled against a sodden bank. Shivering, the flash of light along the treeline and rasp of an exhaust signalled another rally car passing by, but I didn’t look.

I was cold, miserable and tired, and a turn of the head only meant an absolute onslaught of hail to the face.

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Rallying in Storm Arwen, an extratropical cyclone that lashed the United Kingdom with gale-force winds, driving rain and snow, teetered on dangerous.

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But this was the Roger Albert Clark (RAC) Rally – one of true great rallying adventures left anywhere in the world, so everyone just got on with it (for as long as they possibly could) in an old school motorsport kind of way. And snow in late November was always inevitable, right?

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In an age of compact itineraries, the 2021 RAC Rally route bucked the trend by stretching over five days, the competitive special stages alone amounting to 313 miles (504km). That made it 50% longer than Rally Portugal, the longest event on the 2021 World Rally Championship (WRC) calendar.

All in, this was the longest single UK rally event since 1991, and the Lombard RAC of old.

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While the ‘original’ RAC has morphed into Rally GB and is a Welsh-based (and hopefully soon to be Northern Irish) round of the WRC, the Roger Albert Clark is a celebration of rallying’s bygone era. Limited in one part to ‘Historic’ cars, those over 35 years old, and 2WD vehicles in the ‘Open’ section, the marathon event is as big a throwback as it is an incredible test of team and machine.

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Based in the city of Carlisle, the 2021 RAC would see action in Scotland, England and Wales, with some of the most legendary gravel stages – Kielder, Kershope, Ae, Dyfant and Walters Arena – amongst a 31-stage route plan.

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Running since 2004, and a bi-annual affair since 2017, the Roger Albert Clark (itself a celebration of the legendary driver who claimed RAC success in 1972 and 1976) has grown into a monster event, with an oversubscribed entry filling within days of registration. Come the rally start, 139 cars lined up.

For me, the 2021 RAC began at 1.30am on Wednesday.

This event was on my radar for a long time, and with the nature of the current world and the constant swing from restriction to restriction, it was time to just say ‘yes’ when the opportunity arose. I’d sold my Hyundai i30N the previous week, so had some surplus funds to pay for the week-long rally adventure, but that now also meant doing it from behind the wheel of my Peugeot 106 Rallye. I’ll fill you in on that experience in another post.

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It was a quiet drive from home to Belfast in the middle of the night. A ferry across to the UK, followed by a wet and wild blast south through Scotland had me arriving during the rally’s frantic scrutineering.

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All around, crews were busy completing final checks. Door placards and windscreen banners were being applied and one by one each car was rolled through for inspection.

Behind barriers, the crowds built. Each bonnet popped grabbed attention, a sea of the finest BDAs, Pintos and more on display for the admiring public.

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Under the fluorescent lights, everything seemed to look immaculate. Fresh rally car builds, yet to feel the trauma of gravel rash across their underbodies, sat gleaming.

Navigators ran around, some looking more frantic than others, with the required paperwork. There would be a lot of paperwork over the next few days.

Thursday

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When Thursday rolled around, all eyes were focused on Kershope and the opening special stages. I arrived 90 minutes before the first car was due, and watched the final strains of daylight drain away over the rolling Cumbrian hills. By 4:00pm, it was near pitch black.

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With the sky clear and an array of stars visible in a way not overly familiar to a city dweller like myself, the first exhaust note reverberated through the trees. Game time.

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Into a slippy square left with standing water on the inside, drivers desperately needed to scrub off speed from the fast 200m uphill straight before turn in. Mid-corner, an assault of flashlights went off all round. This felt electric on the bank, never mind in the car.

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Venturing deeper into the woods as the evening passed, it felt refreshing to be so far from home, making small talk to pass the time before another exhaust note pierced the silence. This was raw, gritty and ever-so-captivating for a rally nerd like myself.

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It was 10:00pm in the middle of Kielder when a screaming BDA and the searching beams of four PIAA spots cast out above the trees. Does it really get any better than this?

Friday

After a late Thursday night – the special stages finishing up near 11:00pm – it was an early start on Friday morning. Today, the rally ventured into Scotland, with the crews heading northeast to Kielder, the legendary forests on the Anglo-Scots border.

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Known as Killer Kielder, the thick banks and unforgiving lanes have claimed many rallying victims over the years. An onslaught of mud, ditches, ruts, trees and all manner of weather, the area holds almost mythical status in the rally world. In the mid-morning sunshine it seemed tame, although that wouldn’t last.

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First on the road each day was the sub-1,600cc class, a real oddball mix of classics. Think everything from Peugeot 205s to Lancia Fulvias, an Opel Corsa S1600 to a Rover 400 BRM and pretty much everything in between.

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Cutting a swift path uphill through two tree-lined banks, it felt serene from a distance, but Friday was a test in the truest sense of the word. Eight special stages covering 170.1km (105.7mi) – that’s almost the equivalent of three Irish forestry events, but in one single day.

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Keeping cars running for such a long and challenging event is a huge logistical task. Like the old days, pop-up remote service parks were a daily occurrence, while the end of every stage was lined for miles by chase and management crews. Some opted for full service-like ground sheets, while others made do with grassy roadside banks.

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As the daylight began to fade, I shot across to another stage. It was here, as I made the slow climb down a bumpy forest track to the parking area, that the first wistful snowflakes began to appear. The forecast did say snow at 4:00pm; they arrived at 3.57pm. Oh joy.

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I’d only ever experienced a whiteout once before on a rally, but this was different. A cutting wind whipped the damp drifts of precipitation into a frenzy, falling more erratically than the picture-postcard style winter wonderland. It didn’t settle, and drivers became extra cautious, especially through the sections requiring more commitment.

It would be but a warning. Here, on the Chirdonhead special stage, I don’t think anyone knew what lay ahead.

SS12: Bewshaugh 2 is a special stage I will never forget. It was the same location as earlier, but with just a slight change in conditions.

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As I mentioned at the beginning of this story, Storm Arwen absolutely battered the area. Amazingly though, the banks remained lined with spectators.

In a forest, at night, in blizzard conditions, we stood. Masochists maybe, but this felt authentic. This was proper RAC weather, like ’73, ’93 or ’96.

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I must admit though, it was not a pleasant experience. The gloves I wore lost badly to the damp quite early on, and my camera began to act up after 25 minutes. I lasted about an hour, which was enough time to see the leading 10 cars. I still had to make it back to my hotel though, and the 65-minute B-road blast in the morning ended up being a near 2.5-hour nerve-racking return ordeal.

Gale-force winds whipped across the road from all directions and the lashing snow and rain reduced visibility almost down to zero. After negotiating mile after mile of standing water and avoiding fallen trees on the road, I was relieved to arrive back in Carlisle. Others weren’t so lucky.

In the woods, mobile phone signal is nonexistent, so most of the time I lived a life disconnected from the rest of the world (again in keeping with the original RAC fantasy). It wasn’t until the next morning that I began to learn of the ongoing situation. The special stage I had been on, Bewshaugh 2, was eventually cancelled. Safety was the priority and it was getting pretty clear things weren’t great. The teams still waiting on the start line – roughly 20 of them – thought the cancellation would be the end of their night, but it turned out to be the beginning of another challenge.

Completely blocked roads meant many teams, rally officials and spectators had resigned themselves to sleeping in their vehicles. A small reprieve came when a local pub opened its doors to provide shelter for some.

Saturday & Sunday

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It was near midday on Saturday when some crews returned to Carlisle, but by then a call had been made to abandon the day’s rallying.

Disappointed to now be heading north to Ae, crews got to work fixing the Kielder damage before loading up for an earlier-than-expected trip down the M6 towards Wales. I went off on a day trip to the Lake District, before eventually packing up and heading south as well.

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Next morning, with the sun shining, Welsh rally fans came out in numbers. Well-known terrain for many, the roadside car park at Dyfnant stretched for nearly 2.5 miles.

Bobble hats teetered happily in a breeze tinged with log-fire smoke and the rich aroma of fried sausages. Anyone who’s been to Wales Rally GB in recent years knows the scene, but there were no WRC monsters to be seen on this day.

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The RAC is, to be truthful, an absolute festival of Ford Escorts. Of the 139 starters, 95 were either Mk1s or Mk2s. The leaderboard heading to Wales was chock-full of BDA-powered Fords, with Jason Pritchard and Phil Clark holding the start in their newly-built Scott Williams car.

Behind, the chasing pack was led by the hard-charging Osian Pryce and Noel O’Sullivan, themselves bouncing back from BRC heartbreak in their VW Polo R5 the week before, and the more experienced combination of Paul Barrett and Gordon Noble.

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The crowds stretched two, sometimes three-deep for hundreds of metres out of the big junctions. The ground, frozen solid in places, proved to be a real challenge for some drivers.

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Over time, the ideal driving line became clear: Scandinavian flick, run the rear end wide and put the power down in an attempt to get back into a straight line as quickly as possible. It’s just the most timeless and pure driving style on gravel, and save for the odd interloper, you’d be forgiven for thinking this was 1978. Oh, and the noise. Dear god, the noise.

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Such is the layout in Dyfant, the roars of screaming BDA engines lingered for three, maybe even four minutes before the Escorts they powered emerged into sight, sideways of course.

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With the massive crowds, it became clear that grabbing a second stage would be a challenge, so instead I took the chance to dive into Dolgellau to catch the ‘midday service’. That name was misleading given how dark it was by the time the lead cars arrived.

Quickly, the quiet, organised awnings became hives of activity. Fresh tyres, more fuel and a cleaning rag was standard, while other team mechanics wheeled out welders and big hammers to keep their machines going.

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In the air, the mood was of disbelief – event leader Jason Pritchard had gone off, thrusting Paul Barrett into the lead. Osian Pryce was pulling time with every passing stage, but the real talk was the Porsche-shaped imposter now on the podium.

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Ryan Champion and Craig Thorley had led a quiet life on the event, keeping out of the Escort battle at the front in their Tuthill-built Porsche 911. No mechanical issues, just all under control – it would prove a wise strategy later on.

Someone not having such an easy ride of things was Chris Harris. A true ‘one of us’ journalist (any man with a taste for French tat and German performance metal is proper hero status) and Top Gear presenter, his RAC had been eventful. Harris slid off the road and got stuck in a ditch on the opening night, and ended up as one of the Storm Arwen-stricken crews the next. By the time the event hit Wales, Chris had had quite a ride, but credit where it’s due because he got to the end. Not even a dashboard fire could stop him.

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As the night dragged on and the leading cars headed off into the forests once more, I headed south. Four long days was starting to wear me down, but at least I had a warm room to look forward to. Many bedded down for the night in cars and vans parked up in woods and lay-bys, so it almost felt like I was cheating.

Monday

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The bitterly cold final morning began in South Wales. Just outside Neath, Walters Arena is another name carved into rally lore, and I made it stage-side for sunrise. The arena has become a go-to location for rally car testing and off-road pursuits, so it was a perfect place to finish off my RAC experience. While the event would stretch into the dying light of the fifth day, I had to make do with a single stage before a brisk drive to the port.

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Watching nature put on its stunning morning show gave me time to stop and think about the mammoth effort that goes into organising and running a rally like this. Any event is a huge task, but to do it on this scale is crazy. The team at DeLacy MC usually have two years to organise the RAC, but Covid gave them less than six months. It explains the frantic running needed at times.

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Against the wide expanses of the rolling Welsh Hills, the forest tracks criss-crossed in and out of sight below my viewing spot. I had to be tactical; there were likely better spots to seek out, but I knew I had a ferry  to catch at 1:00pm, so discipline and sticking to the plan were the order of the day. That still allowed a bit of moving around and shot variety, and the three images above were all captured within 100m of each other. The ice-hardened hairpin would prove deceptively tricky for some.

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In rallying, you always have to expect the unexpected, and within a few miles, on the last day of the marathon, both the first and second-placed teams bowed out of contention. Paul Barrett sent his Escort into a ditch breaking the suspension, while further back in the stage, Osian Pryce suffered a stub axle failure.

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That left Ryan Champion and Craig Thorley to cruise home to victory in their Porsche 911 and claim British rallying’s ultimate crown, in doing so breaking a 15-year Ford Escort stranglehold on the Roger Albert Clark Rally title. Not bad for a ‘steady, middle of the road’ drive, but such is the epic nature of the RAC that it proved fruitful.

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After six days on the road and nearly 2,000km racked up, I made it to the ferry port with six minutes to spare. The few hours more on the far side felt the longest all week, but that was the post-rally comedown.

Following the RAC was a dream list item ticked off, and it most definitely did not disappoint. Now, about the 106…

Cian Donnellan
Instagram: Ciandon
Facebook: CianDonPhotography

Cutting Room Floor

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Team Speedhunters

Editorial Director:
Brad Lord
Commercial Director: Ben Chandler
Creative Director: Mark Riccioni
Contributing Editor:
Dino Dalle Carbonare
Technical Editor: Ryan Stewart
Contributors: Will Beaumont, Keiron Berndt, Jordan Butters, Ron Celestine, Mario Christou, Cian Donnellan, Matthew Everingham, Chaydon Ford, Blake Jones, Stefan Kotze, Vladimir Ljadov, Paddy McGrath, Brandon Miller, Rick Muda, Yaheem Murph, Sara Ryan, Trevor Yale Ryan, Dave Thomas, Toby Thyer, Simon Woolley, Naveed Yousufzai


The Golden Recipe: Manthey Launches New Porsche 992 GT3 Performance Kit

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The Golden Recipe: Manthey Launches New Porsche 992 GT3 Performance Kit – Speedhunters



The Golden Recipe: Manthey Launches New Porsche 992 GT3 Performance Kit

‘Tis the season to go faster. That’s the official word from Manthey-Racing who, despite the Nürburgring currently being covered in snow, have today launched their new Performance Kit for the Porsche 992 GT3.

This should come as no surprise to anyone given the success of their previous MR packages – especially for 991-generation GT cars – which have all resulted in more performance, ALL of the time, as Ryan wrote here. Oh, and the 991 GT2 RS MR still holds the lap record around the ‘Ring with a time of 6:38.835.

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But there’s an added bonus to this 992 MR package compared to those before it: You can run this without causing any headache to your standard Porsche warranty. And yes, we’re sure if you can afford a 992 GT3 you can likely afford if it goes wrong, but that’s an almighty plus point for those keen on doing regular track days.

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“The team at Porsche in Weissach presented us with a big challenge when they produced the new GT3. Our goal of improving the performance of the Porsche GT models even further for track use, without making too many changes to the car’s essential DNA, and, at the same time, coming up with an attractive package for customers who love to drive on the track, has meant a lot of work for us with the new model,” explains Stefan Mages, head of development at Manthey-Racing. “Alongside the performance, I’m also really pleased with the car’s appearance.”

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It’s still unusual to see a tuning package in 2021 without some token power hike, helped in part with the shift towards turbocharged engines that allow a 10 to 15% increase with a relatively straightforward ECU flash.

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But this is what makes Manthey-Racing unique. Horsepower may have sold cars in the past, but it doesn’t always make them faster on track. With an MR package, the focus is on extracting more performance through grip, aero and – most importantly – confidence as a driver.

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What’s in the box, then? Aero and suspension are the big talking points here in the form of a Manthey 4-way adjustable coilover kit developed with KW Suspensions. The wheels, although stock-looking in their design, are Manthey’s OM-1 lightweight upgrade, and behind those are a set of new brake pads with braided lines too.

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Then there’s the aero. Up front you get a new lip/splitter and ‘flicks’ (canards) on each corner of the bumper, while the rear benefits from a new diffusor, carbon wing/side plates and carbon aero-disc covers for the rear wheels.

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In quite a short period of time, Manthey have managed to ‘own’ this approach to tuning a Porsche GT car. It’s subtle enough to not look shouty, but turn up at the track and people will know you mean business. This only works because Manthey-Racing packages deliver. Every single one has reduced lap times as well as improving the driving experience on the limit.

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There’s no word on the 992 GT3 MR lap time (yet), but with the stock car already achieving a 6:55 around the ‘Ring we wouldn’t be surprised to see that dip into the high 40s. Keep in mind this is only the GT3; we still have an RS to come yet, and inevitably an MR version of that too.

The Speedhunters
Instagram: thespeedhunters

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Team Speedhunters

Editorial Director:
Brad Lord
Commercial Director: Ben Chandler
Creative Director: Mark Riccioni
Contributing Editor:
Dino Dalle Carbonare
Technical Editor: Ryan Stewart
Contributors: Will Beaumont, Keiron Berndt, Jordan Butters, Ron Celestine, Mario Christou, Cian Donnellan, Matthew Everingham, Chaydon Ford, Blake Jones, Stefan Kotze, Vladimir Ljadov, Paddy McGrath, Brandon Miller, Rick Muda, Yaheem Murph, Sara Ryan, Trevor Yale Ryan, Dave Thomas, Toby Thyer, Simon Woolley, Naveed Yousufzai


3 Standouts From The Yokohama Hot Rod Custom Show

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3 Standouts From The Yokohama Hot Rod Custom Show – Speedhunters



3 Standouts From The Yokohama Hot Rod Custom Show

Last week, I gave you an overall look at the Yokohama Hot Rod Custom Show 2021, as hosted by Mooneyes. Today I’m going to share with you three of my favorite builds from the event.

I’ll kick things off with this street-registered S130 Fairlady Z drag machine, prepped by Round Engineering.

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Cars like this one bring back feelings of nostalgia for the once-thriving Japanese drag racing scene. The lack of any proper drag strip and the sheer costs involved with pushing the envelope has thinned drag racing down to only a few events a year here in Japan.

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But this wild Z proves that there are still those chasing zeroyon dreams, and in the process tuning old cars up to levels that I never thought would be possible.

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As you can see from the work that’s gone into the intake and exhaust of this L-series, chasing classic naturally-aspirated performance is still very much a thing in Japan. Sure, they could have taken the easy route and dumped this old Nissan straight-six for an RB with a big turbo, but to me, what you see here is far more commendable.

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The owner told me that the engine is pushing out around 380hp, which is decent output for a stroked 3.1L. However, what makes this fuel-injected six really special – aside from being controlled by a MoTeC ECU – is that it’s backed up by a Holinger 6-speed sequential gearbox, shifted via paddles behind the Momo steering wheel.

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That fact that this car is totally street legal and also able to turn 10-second quarter miles is pretty cool. It crushes that perfect mix of new and old, and I bet it sounds absolutely incredible at 8,000rpm.

Next up we have something that’s less to do with speed but more to do with style.

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If you’re of my generation, then Back to the Future might have had quite an impact on you, as it did on me. For how cool Doc Brown’s DeLorean DMC-12 was, an image of the Toyota Tacoma that Marty McFly uncovered in his parents’ garage at the end of the first movie is still imprinted in my mind. It might also explain my attraction to lifted pick-ups, regardless of that fact that I live in the most pick-up-unfriendly city on earth.

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The details on the truck are absolutely spot on.

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The owner didn’t stop at the vehicle itself either; there was a ‘Save The Clock Tower’ flyer, plus a Grays Sports Almanac, Nike MAGs and Mattel Hoverboard from Back to the Future Part II included in the display.

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That brings us to my third and final car. As someone who has owned wagons in the past, if you asked me to list my top five favorites, the BMW E34 5 Series would definitely be there – especially in M5 guise.

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To get one looking just right takes a very simple yet well-selected list of mods, starting off with a few carbon details and flawless paint.

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Next, perfect wheels and fitment – something this wagon pulls off with a set of super-shiny and mega-dished BBS RSs.

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The very light gray trim that is so instantly visible through the huge windows – one of those things these late ’80s/early ’90s cars always stood out for – is carried through the entire cabin, including the Alcantara-trimmed vintage Recaro seats.

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It’s a pity I couldn’t locate the owner to get a few pictures of the engine – maybe next time. If you recall though, we saw this very car at Wekfest Nagoya earlier in the year, although then it had a different set of wheels fitted. I just had to give it more space here, as I am a massive fan of the BBS mesh design.

I hope you enjoyed this year’s Yokohama Hot Rod Custom Show. The next big event from my side of the world will be Tokyo Auto Salon, but right before it, the New Year’s Meeting at Daikoku PA. As always, I can’t wait for that.

Dino Dalle Carbonare
Instagram: dino_dalle_carbonare
dino@speedhunters.com

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Team Speedhunters

Editorial Director:
Brad Lord
Commercial Director: Ben Chandler
Creative Director: Mark Riccioni
Contributing Editor:
Dino Dalle Carbonare
Technical Editor: Ryan Stewart
Contributors: Will Beaumont, Keiron Berndt, Jordan Butters, Ron Celestine, Mario Christou, Cian Donnellan, Matthew Everingham, Chaydon Ford, Blake Jones, Stefan Kotze, Vladimir Ljadov, Paddy McGrath, Brandon Miller, Rick Muda, Yaheem Murph, Sara Ryan, Trevor Yale Ryan, Dave Thomas, Toby Thyer, Simon Woolley, Naveed Yousufzai